By Dieter Henrich

ISBN-10: 0804723672

ISBN-13: 9780804723671

A set of 4 essays on aesthetic, moral, and political concerns by means of Dieter Henrich, the preeminent Kant pupil in Germany this present day.

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And since the origination of the aesthetic attitude is located by Kant in close proximity to the per- Explanation of Aesthetic Judgment 45 ceptual process, one has reason to suspect that it is somehow entangled with the process through which we originally become aware of objects in general. There is some truth in this. But again, any attempt to approximate the two processes without emphasizing their differences would lead to unacceptable results, for aesthetic judgment always presupposes that an object is given to us which we then judge to be beautiful.

It explains, among other things, why Kant is inclined to call also the play itself (and not only the performance of the imagination) "free", and why he could very well describe the entire state of the mind within the playas a state of freedom. Our knowledge depends upon the operations of powers that are very different in nature and origin. Hence the acquisition of knowledge inescapably depends upon mutual coercion: our understanding is restricted in its usage to what is given in intuition, and our imagination has to serve under the understanding's principles of unity.

The well-known formalist theories of this century are really lacking a serviceable notion of form. Such a notion would have to distinguish mathematical and ontological form from aesthetic form. It would also have to avoid the theory of the formation of gestalts, which is too weak to explain what is distinctively aesthetic. Besides, the form of aesthetic objects exhibits tensions and contrasts that are encompassed or dissolved by a dynamics that is an essential aspect of the form as such. This observation gave rise to theories that interpret form as an expression or a projection of bodily tensions and movements.

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Aesthetic Judgment and the Moral Image of the World: Studies in Kant (Studies in Kant and German Idealism) by Dieter Henrich

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